Before we announce our 2015 ArtsImpulse Award Winners, we are proud to present our 2015 ArtsImpulse Nominee Interview Series.
NOTE: If you were nominated for a 2015 ArtsImpulse Theatre Award, and you would like to participate in our 2015 ArtsImpulse Nominee Interview Series, please email us at email@example.com.
Michelle Trainor gave a stirring performance as Sister Angelica in Suor Angelica in MetroWest's production at the beautiful All Saints Parish in Brookline. As part of the company's "Shattered Dreams" production, Michelle evoked a gorgeous tone and rich resonance as the heartbroken nun seeking answers and salvation. In her Interview, Michelle discusses her rehearsal process, some of her bucket list roles, and many exciting upcoming projects!
Welcome, Michelle, to the ArtsImpulse Nominee Interview Series. Tell us a little bit about yourself!
Hi Brian, thank you so much for this opportunity. I was born and raised in Rehoboth, Massachusetts. It’s a beautiful rural town and I definitely consider myself a country girl. I have an amazing husband and cat that make up my little family. We love camping and doing outdoor activities whenever possible. I am also an avid knitter. My husband says that when I’m not practicing I always have knitting needles in my hands.
Who was your character in Suor Angelica? What did she want? What was her story?
I played Sister Angelica. She is a kind and caring young woman who happened to have made a poor choice when she was young and had a child out of wedlock. In order to save the family name, her aunt, who was her caretaker, took the baby from her and placed Angelica in a convent. Sister Angelica wants desperately to hear news of her son, what he looks like, if he’s happy. When her aunt finally comes to visit after seven years, instead of it being a warm family reunion, her aunt is cold and only wants to see her for legal matters. She literally begs for news of her son and is devastated to hear that he had died. She makes the decision to kill herself in order to be with him again.
Talk to us about the rehearsal process for an opera. How do you prepare? How long is the process? How was this process similar or different than for other productions?
I look for historical background on the piece and composer first. I highlight and translate the score, speak through the text, and then learn the notes. The process can take anywhere from a few weeks to months depending on the role and the language. For some reason German roles take me longer to memorize. This opera in particular had some challenges.
The most challenging problem with this role for me was that I am so passionate about Angelica and this music that I had the tendency to become too emotional. There is a moment when she realizes that she will be damned for what she has done and she cries out for forgiveness, and I am getting teary just thinking about it. It is so easy to get carried away emotionally and not sing beautifully in those moments. As challenging as it is though, that is one of the things that makes this piece so heartbreakingly beautiful.
When did you know that you wanted to pursue opera? Why?
Ha! That’s a great question and people might not believe my answer. I actually was not exposed to opera at all until I was an undergraduate. I had sung in musicals in high school and I played guitar as a street musician but I had no plans to pursue opera. By the time I graduated it was clear that my voice was most suited to opera and that was what led me on my path. I grew to love it but I was in my early twenties when that happened. I fell in love with the storytelling aspect of it, the pure emotional display and that is one of the reasons I love singing Suor Angelica so much.
If you could not work as an opera singer, what would you do instead?
I love this question! I would be a marine biologist or an archaeologist. No question! Right next to the Opera News on my table is National Geographic.
What have been some of your biggest life lessons?
A big lesson has been learning how to balance being a singer and having a personal life. It can be a struggle fitting in time with your spouse, family and friends when you are performing. It’s also difficult to not feel depressed when you aren’t working. I’ve had to learn how to deal with the constant rejection. It is so easy to take it personally and self-doubt creeps in. It is an ongoing struggle for me. I am so lucky to have an amazing and supportive husband.
What are some roles or characters that you would love to play onstage? Any particular songs that you would like the chance to perform?
I would love to sing Lady Billows, Magda Sorel and Brünnhilde. I would love to sing either “Nessun dorma” or “E lucevan le stelle”. The problem is that they are tenor arias and so I will have to just sing them in my shower.
What advice would you give to aspiring opera singers? To other performers?
Always be prepared, be a good colleague and don’t compare yourself to other singers. Your job is to sing your best every time. I would say to all performers that we all know how difficult our job is. Let’s be kind to one another and support our colleagues. Be joyful for their successes and it will make our own success so much sweeter. We have enough negativity to deal with so let’s be positive the rest of the time.
If you had to live in another country for a year, where would you want to live? Why? What would you do there?
New Zealand. It has to be the most beautiful country, still so pure and untouched. I would explore every inch of it and definitely would fit in seeing the Hobbit village, yes, I am a Tolkien lover. I would probably wear an elf costume too.
Do you have any upcoming projects?
I will be singing a concert version of Puccini’s Tosca in Brooklyn next month and I will be performing in Boston Lyric Opera’s production of The Merry Widow in the spring. I will also be making my Boston Symphony Orchestra debut in the Strauss opera Der Rosenkavalier in the Fall.
Do you have anything else to share with our ArtsImpulse readers?
Thank you so much for nominating me and for supporting the arts in Boston!